Rotterdam, Netherlands
Vid: Integrated Monitoring and Metering system, K-14
StoreTags: Metering, Monitoring, K-14, Tutorial
Author: cbit on October 18 2007
Viewed 2756 times. 16 people liked this blog. You can rate it below if you haven't already.
People who enjoyed reading this: Zanf, mechp, bla, bleen, jdg, Roshi, Logo, delete, papergoose, bodo, Adjective, subset, daswesen, dumafuji, tylth, Jetsom
--> A simple documentation of the steps I took to get started using the K-14 scale for mixing in a home studio. I've read lots of enthusiastic reports about using this system so i'm giving it a try. YMMV.

As well as perhaps being useful for other people, I'm putting this up here to double check that I've understood the principle correctly. So if you see that I've done something strange please let me know in the comments. Thanks!

For background information on the K-system, and to find out what the fuss is about is see these pages:
link
link



Other stuff

Face Maker an online artificial selection experiment i set up. Stop by if you didn't see it yet (firefox only). There are a lot of oriental emperors in the population at the moment: link
Read cbit's other blogs.cbit's Recent Blogs
Comments

1 | 2
I like how you dont move your mouth when demonstrating the sound metering but transmit the thoughts directly into our brains. ;)

I didnt quite grasp how you had your mixer set up as arent you meant to have the channel(s) @ unity gain with the channel gain set so the test signal is 0dB?

Everything is at unity gain except the main output from my mixer (monitor gain). The guides say (if ive understod them correctly) that the idea is to play a -20dBfs signal from your daw (ie. a signal that leaves 20dB of headroom inside the daw) and adjust your monitor gain so that that level in the room reaches 83dBSPL per speaker at the listening position. This means that at your listening position you can monitor sound at a good level (83dBSPL, or 77dBSPL per speaker) while still having enough headroom to not have to worry about overs.

Everything is at unity gain except the main output from my mixer (monitor gain). The guides say (if ive understod them correctly) that the idea is to play a -20dBfs signal from your daw (ie. a signal that leaves 20dB of headroom inside the daw) and adjust your monitor gain so that that level in the room reaches 83dBSPL per speaker at the listening position. This means that at your listening position you can monitor sound at a good level (83dBSPL, or 77dBSPL per speaker) while still having enough headroom to not have to worry about overs-- or rather if you get an over, you'll know about it because it will be obscenely loud!

weird - did you edit your post but its double posted?

cbit, you are like a one man tut-machine! Thanks again, and once again this is going into the FAQ blog!

more proof you're an alien..
at least TRY to look like you're not using telepathy.

dude. well spoken and a very useful tut. thanks cbit!

thanks for this cbit
cbit said: "Everything is at unity gain except the main output from my mixer (monitor gain). The guides say (if ive understod them correctly) that the idea is to play a -20dBfs signal from your daw (ie. a signal that leaves 20dB of headroom inside the daw) and adjust your monitor gain so that that level in the room reaches 83dBSPL per speaker at the listening position. This means that at your listening position you can monitor sound at a good level (83dBSPL, or 77dBSPL per speaker) while still having enough headroom to not have to worry about overs-- or rather if you get an over, you'll know about it because it will be obscenely loud!"


So do you set the gain on the channel strips so it has none or do you balance it on the meters so that its -20dB? Does this take into consideration channel summing?

Maybe I just need to go read the section myself!

Interesting.

You did Face Maker? It got noticed around places, it seems. Congrats. Fun stuff.

fantastic. katz should pay you! gracias.

so, maybe this dumb question...what if i mix on headphones primarily? i know i shouldn't. how can i figure out if 77 dB is coming out of my cans into my eustacians?

no, totally differnt.
dont try with headfones! PLS GOD

what iz 77db SPL babelfished into headphonics? huh? why is that not possible?

headfones are totally different. totatlllly.

i dont believe in language, like cbong does, but just trust me on this one.

i know you are right. i am doomed.

1 | 2

Register / login
You must be a member to reply or post. signup or login