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this is a rework of a theme i used for a track, this time around this is used for a contemporary dance duo. its quite long, 12 - 13 minutes, maybe. the duo is now being shown in a few cities in the netherlands thru the fonty´s festival. i am quite happy with the music, i think i have managed to keep it simple, not throw in so many elements, i am really happy with that. soooo. hope you like it, and dont forget, its stage work, not a cd-production! |
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Written May 09 2007
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prug said: "dont forget, its stage work, not a cd-production!" A little buffer override, a dash of amen break and you've got CD-production. No, sersiously, tho, great stuff. Love the contrast between the ssslllloooooww vocals and the sharp plucky pointy bits. WTF creates all that bass rumble goodness? Makes the vocals kinda sinister when they overlap. lol
 bass rumble goodness is one of two things, i cant for my bare life remember which of them i used - either a pitched down recording of the hum inside a hammondorgan . or a fieldrecording on a greek ferry. dont remember, sorry, but one of those, with a little flanger and filtered/eq'ed to boost lows and remove higs 111111111 i laaaaaaaaaaaaaik iit
nice .. Wow, epicly creepy.
Definitely could see this used on a stage. I like. I like. great, peopls. nice. thanks.
I cant dance to it.
I can't dance to it!
i love it. great work, very beautiful stuff. lol. sure you can dance to it. but you need to be intelligent.
I thought you had to be contemporary?
i am very confused now. good thing i am not the one dancing
You are a contemporary Dancer, too?
what can't you do? Besides be nice to the less fortunate folks like adcbibyle and me? :P this is awesome. really conducive to visualizations. I want to see the dance. Can you post it?
thanks bobby, i dont have a good recording of the dance, but i will probably have when they come back from netherlands. i'll keep you posted
yeah ok, i like it. a lot. but you can't really do windmills to it.
ok it's awesome. i guess i can forgive you for the lack of windmill potential.
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