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Hi! So I just recently got a new computer and I made this the other day. It's just guitar through a pitch bend on the 303, then through the delay, onto a tiny tape machine and slowed down slightly, back through the 303 add reverb and out onto the computer. It is very mono.. I am trying to work on it. 14cLara old swamp tape pt 1 25cLara Lara- haunted shack 12cLara Lara-Tourists get nervous 25cLara um- lara 15cLara backroads at nighttime a treehouse in, Florida, USA
About me
when i get frustrated, i jump on the trampoline.
My Gear
teac a-3340s reel to reel
cerwin-vega mx-8 mixer univox sr-120 drum machine dod fx96 analog delay electroharmonix micro synthesizer arp omni-2 synthesizer metronome shaped like a penguin harmonium clarinet vibraphone zither roland tr-707 sitar sparkly purple danelectro banjo mandolin accordion cello sp303 sampler rc50 loop station bagpipes &chanter a bunch of mics the grossinator ukulele bulbul tarang the humanatone panflute steel drum finger cymbals erhu the saw. i have a computer and abelton light (for babies) but i still am so much more into the qualities of the tape. |
Lara-Tourists get nervous Release
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Written August 25 2007 , Tags: sunshine, attack, shark, water clarity
Comments
What is it that you are working on?
what I mean to say is, what is the end for which you are going to alter/modify this? What you have done here so far is cool, but it lacks the completeness of your other work, and of a 'song' proper. So you will develop it thematically? I deem that is the work which you are trying. btw, it reminds me of Dave Bowman and Beyond the Infinite
i have a 505 and it doesnt sound like that hmmm
oops, because i meant 303..
well you already know my feelings....(and i meant the sound btw)
but i think dannyboy has a point, you should try maybe outlining the story more clearly..because its a good one!!! astroid you have an sp-505? tr505 but it doubles as a fleshlight
Whoa...love the sound design, makes me feel discombobulated
But yes, i think this could definitely go with a little bit of shaping/sequencing to make it more interesting and surprising. i personally love it. because now i know what it's like to be eaten by a shark. i feel like i've been there. pure, unadulterated feeling. the feeling of getting my leg bitten off. hahaha, no no - that's a good thing believe it or not. sound design FTW!!!!
it's got that creepy dark-ambient thing but it's not hitting you over the head with it. at this length it doesn't really need much in the way of compositional structure, but i think you ought to lengthen it so that there would be some structure, otherwise it's more like a sketch. a nice sketch tho, to be sure. At the end you have some sounds which bring an element of closure/directionality to the piece. i'd like to see some development/changes, in density, timbre, kinds of shapes (eg percussive/choppy sounds/events in addition to the more atmospheric ones)
like others, not so much hearing a 303 on this one... creepy. like shark week narrated by walken. goods.
i'm generally working on adventures in stereo.. i didn't plan on developing this anymore, it just sort of it what it is. thanks for the tips and for listening!
just listened to this. i like all the haunting ambience. great stuff. very organic sounding.
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